Franjo Bilić

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Franjo Bilić

Franjo BilićFranjo BilićFranjo Bilić
Home
Biography
Gallery
Events
Ensembles
Lectures
Discography
Contact
More
  • Home
  • Biography
  • Gallery
  • Events
  • Ensembles
  • Lectures
  • Discography
  • Contact
  • Home
  • Biography
  • Gallery
  • Events
  • Ensembles
  • Lectures
  • Discography
  • Contact

The Beat Goes On

Andrea Antico da Montona

 The lecture explores Andrea Antico, a Renaissance composer and music printer from Montona, focusing on his compositions, contributions to early music printing, influence on polyphony, and lasting impact on music history. 

Harpsichord – A Very Long Biography

 A historical journey through the harpsichord, its evolution, repertoire, and role in European music from the Renaissance to the Baroque. 

Cembalo Up(to)date – Art of Composing for Harpsichord in the 21st Century

Contemporary approaches to writing for the harpsichord, combining tradition with modern compositional techniques. 

Baroque Ornaments

Detailed exploration of ornamentation in Baroque music and its expressive and stylistic significance. 

Variations for sleep

Analysis and interpretation of Bach’s Goldberg Variations, focusing on structure, technique, and performance practice. 

Clavichord as a Pedagogical Starting Point for Harpsichord, Organ, and Piano

Using the clavichord to develop touch, phrasing, and musical sensitivity as preparation for other keyboard instruments. 

Conducting Before 1800

Historical practices in leading ensembles, gestures, and conventions before the Classical period. 

The Most Complicated Polyphony of the 15th and 16th Century

 Study of intricate polyphonic works, their notation, and strategies for interpretation and performance. 

First Recordings and What Can They Teach Us

Examination of early recordings and their insights into historical performance practices. 

Accidentals – Deeper Understanding for Interpretation

Understanding the use of accidentals in Renaissance and Baroque music for more informed and expressive performance. 

Orfeo Singing PSALMS?!

Investigation of stylistic overlaps and performance choices between opera and sacred music in early Baroque focusin on the falsobordone practise of psalmody.

How We Got to A=440 Hz?

History and evolution of pitch standards, from regional variations to the modern international tuning standard. 

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